Four Short Statements on the Sentence

Entering the sentence, one feels caught in a trap, a cage, punctuation the catches and latches of entrance and exit that clamps down on our heads and tails, our arms or legs, fingers – when we let out an exclamation point, holding swelling finger up. Returning to the three persons (me, you, and the other:…

Rows sans end

A sentence, this one, for example (though another might do), the one you are now reading, backlit, for some purpose, presumably (your body like a house in disrepair, suit fraying, limbs sagging, glasses missing one temple, pads bent, joints crooked, hair crinkled dry moss, green going grey, a bird’s nest), late summer as the sentence…

To Whom It May Concern: An Invitation to Silence and Composition

John Cage dedicated his lectures and writing collected in Silence “To Whom It May Concern.” As it turns out, it concerns everyone, though most of us do our utmost to ignore it. Yet Silence is still in print, and the amorphous, variable audience Cage invoked in his dedication continues to grow. But if we can’t ask anything…