Silence, Memory

fred-drawing-on-slide_4118506034_o

In Nabokov’s “Speak Memory,” remembrance becomes a narrator, and narrators are not to be confused with authors, even (perhaps especially) non-fiction narrators, and often not to be trusted, as memory is often impeachable. Narrators are often unreliable. To remember is to be mindful, to call to mind. The writer must silence memory, then speak.

Mindful of what? Who calls to mind? “Remember the time…,” someone asks. “Yes, the Angelus bells had just finished ringing. It must have been noon. I remember the dying echo of the bells. Not dying, falling, as if the bells were still with us, but silent, as indeed they were, and they would ring again, and that would recall dinner.” Is memory an angel come to incarnate? Memory made flesh. Well, made story, anyway. Memory is not words, has no language. Look Homeword, Angel.

Memory is partial. Fragmentary. Unfinished. Abandoned for the present. And memory is partial in the sense of being one-sided. Memory favors. What happened to the trees as the bells passed through their leaves? How did they taste, the thick iron rings? Did your ears ring through the afternoon? Could you feel the bells in your bowels? Something else called to mind. Did you touch the bells?

Memory is revisionist, as in historical revisionism. Memory is a time machine that can move in only one direction. If we were not mindful at the time, of the time, how can our later memory be accurate at all? So we put memory in the third person, and we recall instructions, how things were made and can be made again, how to ride a surfboard or a bicycle, how to write.

“At the time in question, he simply was not very mindful of what was going on around him. Still, he insisted on certain memories.” These would be memories he needed now to continue.

Ping Ear

One advantage of painting over writing, there needn’t be words. Where is there writing without words? I want to read that.

IMG_20160722_123727

 

 

Minefoolnest & Other Misfits

I’m not a spelling bee. I think the reason I’m not a tiptop speller (well, apart from maybe the more obvious reason) has to do with sound and pronunciation, where sound is what we hear, and pronunciation is how we repeat what we think we heard.

I remember President Bush bedeviled for misspelling tomato, or maybe it was potato. I remember he was in Florida. Why do I recall he was in Florida, at a grammar school, but I’m not sure of the mot juste he abused? That’s probably a misuse of mot juste; I don’t care – I like the way the ooze comes together in juste abuse. Is misspelling word abuse? In any case, and while I was not and am not a G. W. Bush fan (including his paintings, which I did not like not because they were poorly drawn – in fact, they were quite modern – but because they were so narcissistic, selfie obsessed. At the same time, they gave me pause to think about form and content, particularly the one where he was taking a bath – or was it a shower? – because I’ve always been confused by the form and content business: form, apparently, man in tub; content might have been improved with a plumber at work fixing the toilet while the implacable Bush continues his bath), the news story of Bush’s misspelling boo-boo (to wit: tomatoe or potatoe) I found unworthy of sarcasm or cynicism, and I did not join the spelling bee buzz of hecklers making fun of him.
(see correction note below.)

For one thing, I don’t hear the second t in tomato, and if I were going to misspell it, I would probably write tomadoe. Probably that’s yet another reason why I’ll never be a POTUS. Bush’s misspelling was perfect because it’s the same misspelling millions of Americans make every day (or would make, if they were asked to spell tomato), so there was instant populist empathy for him, and it was a chance for the populists to go fsst to the academic snob spelling bees. The academic stings but once. There’s a good reason I hear a d in tomato: /təˈmādō/ – that’s how it’s pronounced. On the other hand (or ear), I do not hear a d in potato, even though potato, like tomato, is pronounced with one: /pəˈtādō/.

You might be thinking I can’t spell because I can’t pronounce, but you’d be a step short if you didn’t acknowledge I can’t pronounce because I don’t hear the same sounds you do. On my own, left to my own devices, I’m in fact a perfect spelling bee. There will always be those who rush to correct (jab, jab, jab, as Susan says) or who think to be a spelling bee is to be a smart bee, when it simply means to be a drone. Like the artist whose painting is as accurate as a photograph but unimaginative, the spelling bee is productive but hackneyed.

Words in all their dress and display should surprise us – startle, chortle, spark the double take.

Spell check, by the way, while helpful, is not a solution. You don’t learn to spell using spell check. In fact, spell check often makes matters worse. Did you mean spell-check? Did you mean spellcheck? Some will argue that’s not a spelling issue. And (underline the right word following) they’re there their probably right. Which is why I’ve been working on mindfulness. Perhaps I meant spill chick, or spoil choke, but chuck it all, anyway. I know how to spell, believe it or not, delete, though I take no delight in it.

I’ve developed Minefoolnest © as a self-improvement program designed to improve both your spelling and your overall attention to text. It’s a program for language misfits, those who, like me, hear words in sounds and sounds in words, often, not the same words and sounds others hear.

Correction: Reader John Dockus (see comments below) has identified Vice President Dan Quayle as the miscreant misspeller of potato, and not Bush, not Florida, and not tomato. Would that there were a fact-checker as well as a spell-checker. Leave it to readers to do both for you, and this is what you get! Thanks, John. The Toads blog regrets the error.

 

Ires & Ears & Reader Satisfaction Survey

Instructions: Read each row left to right, then, in each empty cell in the first column, insert a word that irks you. In the corresponding empty cell in the far right column, insert your irky word’s opposite. If you can’t think of a word that irks you, insert a word that feels good to your ears. (Note: You may also read the words by column, top to bottom, or bottom to top – individual reader experience may vary.)

play ear piquancy
ear wig able
ear ate oblige
ear riff hive
ear rev rant
iron browse nose
ear irk sum
ir clothed ears
ear iris bow
ear nose spell
ire oh you
rear reverse ably
wear plus tear
spread sheet foot on
oval ire head
for get it
come out side

 

Reader Satisfaction Survey

In the cell to the right of the comment, indicate your level of satisfaction with The Coming of the Toads blog, using a 1 for “highly likely,” 2 for “depends,” 3 for “no opinion,” 4 for “not likely,” and 5 for “no way.” If the question suggests an “agree” or “disagree” answer, use 1 for “totally agree,” 2 for “agree somewhat,” 3 for “sometimes,” 4 for “I meditate often,” and 5 for “totally disagree.”

1

2

3

4

5

I’ll probably stop reading your blog soon:
I’d rather listen to the radio or watch TV:
I prefer posts that are not poetry:
I want to see more pictures:
You should sponsor some giveaways:
Have you thought of knitting for a hobby?
I liked the recent bicycle post:
I’m not sure what you mean by a post?:
I’m currently reading “War and Peace”:
I’m thinking of subscribing to a magazine:
I’m thinking of buying a new car:
I have enough clothes to suit my needs:
I can never get a plumber when I need one:
I got here by mistake:
I was referred here by my plumber:
My socio-economic demographic sucks:

Thank you for visiting The Coming of the Toads and for participating in the survey.

A few gratuitous pics for this post, because some readers have come to expect pics with words, and, believe it or not, appreciate a good selfie when they see one:

 

Untie Tilled

Flummoxes

Stupefied

fact toyed, act torn, him worried, cat a gory, high pot and noose, feet shore, rumpled thick skin, cloud rains notoriously his, his story

stand dulled lard, aunt tie, ear merge, knit knot, sullen wullen, negligee ant

puss swill, hog wash, bass inn, trump pet, your bane, miss aria, melon cafard, old gourd, nouvelle vague vouge vaudautomobile, sue dough

moor biled,
awe towed,
skip it
rock it

stop it,
stoop id,
rinse off,
he goes,
soup her

droop ball
notes so bad
over the wall.

add dress &
suit of blue
dyed wool, tie
prep
position

adove
beyawn
icross
the oh
shuns

 

 

We lived for a time on Oak Street, in a courtyard lot of four houses across from the high school. The two sets of houses faced one another and were connected by arched walkways. All four kitchen windows looked into the courtyard. Each house was the same: a small white stucco square with center front door into rectangular living room with door to bedroom with closet, bathroom with porcelain tub and two doors, one from the bedroom, the other to a back porch with back door, kitchen nook, kitchen with door to living room, so that we could walk in circles around the inside of the house. The cat loved this circular house.

I had just got back from Active Duty, and was driving a VW bus that I left parked on the street under the trees out front, even though there were four garages attached to one another but separate from the houses, in the rear of the lot. The houses were clean but rough stucco with red clay tile roofs. In the time we lived there, about a year, we never closed our kitchen window over the sink. The cat came and went through the window, and over time the flowering plant outside the kitchen started to grow through the window over the sink. The house was well-lit, four windows in the living room. Ours was one of the houses in the back of the lot, in the northeast corner. It was a swell place. We had no phone service and no television. We did have a stereo system: a receiver, turntable, and two speakers.

In the house across from us lived Ms. Palette, a frisky old lady who grew tomatoes, peppers, cucumbers, herbs, zinnias, and marigolds, and she was visited once a month by a son who checked up on her and brought her provisions, including cigarettes and wine. When she was not in her garden, she was inside watching her television. Early one evening, we were startled by police, paramedics, and firemen rushing into the courtyard, taking up positions outside the doors, but their focus was on Ms. Palette’s house. She came to the door and let the police inside. We gathered with our neighbors in the yard. Apparently, Ms. Palette had experienced some sort of break in and thought she was having a heart attack and had called the police to say she needed an ambulance. As it turned out, she had been watching a cops and robbers show on TV, and she confused what she was watching on the show with the reality within her house. On the show, someone was breaking into a house, frightening its occupant, and Ms. Palette grew confused, thinking someone was breaking into her house and that she needed an ambulance. We tried to contact her son, but no one knew his name or number. The police suggested we take turns checking up on Ms. Palette daily. The emergency responders left, and we went in to say hello to Ms. Palette, who was sitting on her couch looking stupefied. The television had been turned off.

We used to walk up Main Street into town to the grocery. Not long after Ms. Palette’s confused television experience, we were walking home from the store, each carrying a bag of groceries, and we passed the realtor’s office, and in the window one of the photographs caught my eye. It was my VW bus, parked on Oak Street outside our courtyard houses, and the houses were for sale, and they had, apparently, already sold. When we got home, we called our landlord. Yes, he’d put the property up for sale, no sign, no notice. A developer hit it like a raptor. Our landlord was waiting to tell us, not wanting to disappoint us. We were momentarily stupefied. Soon, we received eviction notices. The four houses were destroyed and a modern apartment building erected on the lot, sans courtyard and garden and trees. We moved on, not looking back, growing less stupefied with each move.

 

Sophisticated Gentleman’s Upright Urban Bicycle

IMG_20160709_105338Ryan finished his rebuild of my circa-1970 steel frame Raleigh bicycle. It is to Ryan (to wit, a wit) I’m indebted for the title of this post. He knows I think myself neither sophisticated nor gentlemanly – nor much of a bicyclist. There was a time indeed when the Raleigh did duty for an auto, but that was of necessity, hardly hobby or Edwardian privileged choice, and while there is evidence of bicycle chivalry in my bio, as evidenced by the call-in, for example, to the Bill Ballance radio show “Feminine Forum,” circa the old Raleigh days, the topic of the day “Is Chivalry Dead?,” the young lady caller apparently the same girl I had saved from a group of wine-drunk ruffians after an outdoor blues concert one evening on Venice Beach – and she never got a chance to thank me, she told Bill, as she rode south on her bike while I ran north up the boardwalk, chased by the ruffians, dashed east on Windward, cut through the vacant lot next to what is now Danny’s Deli, across the alley and through the apartment corridor to Susan’s aunt’s place, peeking around the corner of the building to see the hooligans searching for me around the parked cars on Windward, it’s purely anecdotal. The rude dude had made the girl cry, pulling at her handlebars and pestering her to come join his coterie sitting under a palm Venice Boardwalkdrinking wine. I had stepped up and grabbed the other side of her handlebars, surprising and startling the cad, yanking them out of his grip, and pretending to be her brother, I had said, “Come on, we gotta go, Dad’s waiting for us.” At which point we walked quickly off, and I asked her if she was ok, and I glanced back to see the bad guy stirring his buddies to action, pointing at me. The chase was on. In the picture right, taken by Susan, I am walking along the Venice Boardwalk in the early 70s. The two ladies I am with were capable of handling their own chivalric needs. And I still think of a bike ride as a paragraph lacking a unified topic. As in writing, you discover where you’re going in the process of getting there. The risk is that some readers may find this kind of bicycling writing annoying, just as some motorists would rather not share the road with parenthetical interruptions.

 The characteristics of an upright, urban bicycle include casual step pedals and upright handlebars. A brass bell mounted to the bars gives the bicycle a voice to its otherwise smooth sail-boat-quiet glide. The photo above shows the Raleigh in minimalist set-up: no saddlebags, bar basket, lights, or racks. The kickstand adds a sense of responsible behavior expectation.  The cork grips suggest the sophisticated gentleman knows his way around country streams and beaches as well as back roads to far away places within the city. In one of his ten blog-posts it took Ryan to complete the rebuild, or maybe it was in an email he sent me, as we went back and forth discussing parts and style, I remember him referring to the vision for the restored bike as an “upright gentleman’s urban bike,” and I remember thinking I was in trouble now. But etiquette of the road is not to be sneered at. And if I could not be grand, I at least would not have to be a spinet.

IMG_20160709_124512

One of those far away places, though not too far to bike to, the destination, as it turned out (an urban bike ride usually revealing a flexible plan), of our maiden voyage on the rebuilt and reconfigured Raleigh, with Ryan riding co-pilot on his Handsome bike (a make, not necessarily an adjective), was Nick’s Coney Island, in the Hawthorne District. In the pic right, you can see Frank’s portrait framed, the original Nick, before he sold the place and the new owners built Nick’s into a somewhat sophisticated gentleman’s Coney Island, wearing a Nick’s shirt with a Coney Island Dog on it, above Ryan and me sitting at a refurbished booth with pints drawn to celebrate the renewed bike. Frank was a stout and diehard Yankee fan. I don’t know what Frank thought of bicycles or even if he was ever on one, but I knew him as a kind of blue-collar gentleman when he was doing duty tending bar and waiting tables at Nick’s, his royal red Cadillac parked at the curb outside the door.

Bicycle and urban are easily defined. Urbanity might get a little muffled in the noise of orbs and urbs (the city is surely a verb), but what of sophisticated and gentleman? Now we are in deep waters. And what is a bicycle as political semiotic as signified by Roland Barthes? The bicycle is a Beckett motif, his characters hardly sophisticated or gentlemen and often located well beyond orb or urb. What on a bike is a sophist, or a fallen gentleman? Benjamin Franklin walked, so did Thoreau. Franklin might have invented the bicycle but wasn’t in enough of a hurry, while Thoreau might have associated the bicycle as a product of the same forces that built the railroad, the unforgiving lineal track that prevented one from wandering.

The further one wanders often the riskier the route. Southeast Belmont Street does not for most of its distance provide for safe bicycle riding space. The Salmon and Taylor Street designated east-west shared roadway encourages a sauntering ride, which is a ride in which one takes the time to muse and wonder, even to wander, and there is no shame in dismounting and walking the bicycle. That is what it might mean in Southeast Portland to ride a bike, to write your own story, not necessarily against the commute, but on the margins of the commute. The sophisticated gentleman urban bicyclist is a marginal man, a reader around a town of text. His destination is never clear. His purpose is opposed to argument. His narrative does not follow conventional route expectations.

IMG_20160709_141043

He might make a mistake. I wanted to show Ryan Tabor Space, the coffee house in the old Presbyterian church on the northwest corner of Belmont and 55th. But when we got there, the coffee space was closed. But having already secured the bikes (pic left), we went into the church and sat for a spell where it was cool and restful.

The sophisticated gentleman upright urban bicyclist may take liberties with his trip narrative. That doesn’t mean he ignores rules of the road, at least those that are not ambiguous. On the contrary, he rides clearly and concisely, if not precisely, and never speeds or travels too fast for conditions. He is, in short, in no hurry and not in search of a hassle. We caught up with Susan and had British fish and chips and bangers and beer at Horse Brass Pub while discussing IMG_20160709_194251 bikes and comedians and films. Susan suggested we walk down to Movie Madness and rent a comedy to watch when we got back home. These are hard times around the country. For some, the time seems permanent. Platitudinous postings, retweets of bad attitudes, prayers without reflection, pandering of politicians to atavistic fears and wants, happiness confused with satisfaction – that’s all part of the difficulty; still, this sign in a business window on Belmont is a viable posting. Here, it seems to be a response to the Orlando shooting specifically. The sign it replaced said LOVE in bold red off balance letters, letters in loveLove 2. Before the LOVE sign, there was a gold lettered GLORIA with stars in a Christmas display. The window display has become a kind of public service announcement. It exudes a good vibe. I’ve passed it in my car, on the bus, walking, and now on my bicycle. Were I in a Beckett book, I might crawl to a sign of love with that hopeless hope that motivates his characters. You can’t make love to a sign, though it sometimes seems all we have is signs for things, and not the thing itself. I have a bicycle helmet, but I can’t forget Thoreau’s dictum to avoid enterprises which require a new suit of clothes, so I’ll be eschewing the purchase of bicycle apparel.

On to Movie Madness, where we rented a Christmas comedy to watch back home, “Mixed Nuts.” So we’re watching a Christmas movie in July. “Mixed Nuts” was filmed in Venice, the Venice boardwalk a prop, along the same blocks in the Venice pic at the top of this post, with Steve Martin playing manager and owner of a suicide prevention non-profit hotline. Madeline Kahn is wonderful as Mrs. Munchnik.

IMG_20160709_194347

Movie Madness is more than just a video rental store. It’s a film museum, displaying a collection of movie making artifacts such as the knife used in the shower scene in Hitchcock’s “Psycho.” “Psycho” is on my reverse bucket list, which includes films I’ve seen that I never want to see again. One film I never tire of watching is the original “The Time Machine.” Movie Madness has on display the miniature table-top time machine used in the film, the one the time traveler sends into the future and so it disappears from the table. Presumably, it’s still time traveling. I also enjoyed the PSYCHOTRONICS sign to the thriller room. “More!”? What more could there be? I didn’t go in.

IMG_20160709_203027

 I wanted to visit with Ryan Cheese Bar at the bottom of the Belmont hill. We enjoyed a board of mixed soft and hard cheeses with a glass of wine before “Mixed Nuts.” We watched the film and the next morning we walked down to Coquine for a scone and coffee. Ryan took off and later I went for a ride up in the park.

In chapter two of “Penina’s Letters,” Salty is sitting at a cafe table outside Blubber’s on the Strand when Puck Malone rides up on a bicycle:

“I drank a tall glass of water and was nursing a beer, watching the walkers and the waves, when along came Puck riding up the Strand, grinning, playfully pedaling his royal blue bicycle, holding a surfboard under one arm, wiggling to and fro. He was barefoot and shirtless, wearing some baggy trunks. He was watching the waves, closed out, booming bass lines now in the spring high tide. He saw me and parked his bike and leaned his board against the wall.

Puck Malone’s neck was as thick as a telephone pole. His face was full and fat, with marble brown eyes spinning between freckled cheeks and straight, sandy-red hair, bowl cut with bangs down to his eyes. His tornado torso funneled down to two skinny legs. He had big surfer knots on his knees and feet from paddling in the kneeling position.”

I’ll leave it to readers to decide if there are any gentlemen in “Penina’s Letters,” but it’s a question of fact that there is at least a bicycle, and it gets ridden – a surfer on a Strand cruiser.

It goes without saying

As the old saying goes, it goes without saying. But if it goes without saying, why bother saying it?

Worried it won’t go without saying it? It will just sit there, going nowhere? And if it does not go without saying it, where is it?

Where is it when it is not on the go?

When and where do words rest?

(Next rest stop, 45 pages)

It does not go without saying. Without saying, it doesn’t exist. It is nowhere. Not here, not there, not anywhere.

It goes without saying what goes without saying remains stuck in a limbo of doubt.

To be sure it’s on the go, say it, repeat it, vary it.

Not on its own will it go.

But needs be nevertheless let go.